从前卫艺术到前卫主义:德·迪弗的现代主义叙事探颐

From Avant-garde to Avant-gardism:On Thierry de Duve's Narration of Modernism

当代著名艺术理论家德·迪弗凭借对格林伯格现代主义理论以及克拉克与弗雷德现代主义之争的条分缕析,深刻精准地阐释了现代主义生成、运作及异变的逻辑,更新了现代主义叙事。其创见在于通过探究现代艺术与"接受者"关系的变迁,以及艺术惯例与审美协定的生成方式,展现了现代主义的运作机制,进而揭示了1960年以来前卫主义泛滥及其艺术世界习俗化的危险。德·迪弗的研究为我们更好地理解当代艺术提供了新的视角。

Thierry de Duve,one of the most eminent living art theorists,profoundly expounded the logic of the origin,operation and alteration of M odernism and thereby updated its narration by analyzing Greenberg＇s theory and the debate betw een T.J.Clark and M ichael Fried.His originality lies in the fact that through exploring the evolution of the relationship betw een modern art and ＂ the receiver＂ and the formation of artistic conventions and the aesthetic pact,his study reveals the operating mechanism of M odernism,the superabundance of Avant-gardism and the risk of conventionalization of the art w orld since1960.His study provides a new perspective for us to understand contemporary art.