摘要
克里斯蒂娃的互文理论是其步入后现代的典型事件,其实,她融入后现代大潮是在后结构主义这条思脉上充分展现的。她以迂回侧进的策略、闪烁艰涩的行文风格,为曾被边缘的声音喊话,其旨归并非沉溺于解构权威主体的过度狂欢,而是透过对中国汉字特性及相应结构系统的创意性阐释,获得重新审视现代性的灵感。她对中国资源的读解与置入,在西方纷繁复杂的中国话语中为修正西方理性论述传统找到有力的理论支撑。
Kristeva's theory of intertextuality is the mark of her entering into post-Modernism. In fact,It is precisely through the poststructuralist thought that she was actively engaged with post-Modernism tide. She defended those Marginalized and depressed voices with a kind of roundabout and obscure writing style. Its purpose is not to indulge in the excessive Deconstruction of the concept of authoritative subject,but try to obtain the inspiration of rethinking modernity through the creative interpretation of characteristics on Chinese characters and their corresponding structure. Her reading and use of Chinese resources provide a powerful theoretical support of revising the complex traditions of Chinese discourse in the west.
出处
《宜宾学院学报》
2016年第4期101-106,共6页
Journal of Yibin University
基金
2015年江苏省年度高校哲学社会科学研究一般项目(2015SJB829)
2015年度教育部人文社会科学研究规划青年基金项目(15YJC752024)
关键词
互文理论
后结构主义
权威主体
汉字
Intertextuality
poststructuralist
authoritative subject
Chinese characters