明代中后期文人喜剧特点与审美

The Comedy Characteristic and Aesthetics of the Literati in the Middle and Late Ming Dynasty

论及在戏曲史上的地位,明代杂剧比不上在当时兴起的传奇,也比不上浑然天成的元代杂剧,但是,明代中后期的文人杂剧仍然成为了中国古代戏剧史上一个颇具特色的存在。这里借助叙事学的相关理论对明代中后期的文人喜剧进行时空架构方面的分析,认为这一时期的作品具有轻时间推进,重层次展开的特点,通过虚拟场景的设置、多视角的介入,使审美客体呈现出其自身的荒谬可笑之处。而且,这些叙事手法的采用,与创作者的喜剧意识息息相关。

Deals with the status in the history of opera, Zaju in Ming dynasty could not compare to Chuanqi, and could not compare to the Yuan dynasty of like nature itself, however, the later period of Ming dynasty literati Zaju still became an existence of a characteristic in ancient China＇s theater history. In this paper, in accordance with the relevant theories of narrative,the writer will analyze the literati Zaju in the middle of Ming dynasty how to form space-time structure. In writer＇s opinion,the works of this period paid less attention to time,and paid more attention to layers of characteristic. Through the virtual scene Settings, the intervention of multiple points of view,the aesthetic object presents its own ridiculous. And the adoption of narrative is closely linked with creators ＇consciousness.