摘要
曹丕作为建安文学的实际组织者与领导者,对文学方面有杰出贡献。然而六朝至宋期间,诗话对曹丕的论说不仅数量较少,对其文学创作实践方面亦持否定态度,直至明朝才有所改变。明诗话对曹丕的论说本着褒扬及客观的态度,从文气论、诗学批评论和文学观3个方面展开,肯定了曹丕在文学理论方面的成就,指出曹丕诗风以"丽"著称,追逐辞藻华美及内容的绮丽伤感,启迪并推动了这种诗风的向前发展。
Cao Pi,as the actual organizer and leader of the Jian An literature,had made outstanding contributions to literature. However,from the Six Dynasties to Song Dynasty,the number of poetry on Cao Pi discourse was small while Poetry had a negative attitude to Poetry creation,which was changed in Ming Dynasty. Under the guidance of Ming Poetry,Cao Pi discourse was discussed from three aspects,Wen Qi theory,Poetical criticism,and literary view with objective attitude. It was given that Pi poetry,known as 'flowery expression',chased rhetoric gorgeous beautiful and sad content,inspired and promoted the development of such Poem style.
出处
《昆明冶金高等专科学校学报》
CAS
2016年第2期98-100,114,共4页
Journal of Kunming Metallurgy College
关键词
诗话
文学理论
论说态度
变奏
poetry
literary theory
discourse attitude
variations