摘要
电影中的音乐不同于音乐会上的节目 ,不再是它原有的面貌 ,而开始它深刻的质变过程 ,它以特殊的力量再现“心灵的辩证法” ,从而达到真正的艺术效果 ,正是作为电影载体的音乐 ,导致了电影音乐观念的深度的消失与尝试着回到平面上来 ,并在同一时间内“现实效果”与脱离现实相结合 ,“幻想效果”与对情态的感染相结合 。
The music in cinema differs from performance in concert.It is not self-visage,but reappearance of spiritual dialectic by special vigor passing deep qualitative change.Then reach really art impression.Music of cinema induce deep vanish of cinema music concept and trying to backtrack plane and reach combining with reality impression and divorce from reality in the same time and combining imagine impression with feeling infect.It visualizes inimitable art fascination and aesthetic specialty.
出处
《学术交流》
北大核心
2001年第6期146-148,共3页
Academic Exchange
