电影存在论的复兴被引量：1

原文传递

导出

摘要本文介绍和阐释了上世纪70年代以来英美分析哲学传统下的电影存在论研究。在经过反本质主义思想的冲击之后,电影存在论的探讨主要涉及三个有限度的问题:(1)电影作品是何种存在物;(2)电影作品的实例是什么;(3)电影作品的实例的区别性特征。

作者黎萌

机构地区西南大学文学院

出处《电影艺术》 CSSCI 北大核心 2016年第3期112-116,共5页 Film Art

关键词存在论反本质主义区别性特征艺术作品机械复制生活形式哲学传统艺术理论艺术形式艺术现象

参考文献14

1Chen,Chung-Hwan, Sophia:The Science Aristotle Sought, NY: Hildesheim, 1976.
2Noel Carroll,Philosophical Problems of Classical FilmTheory, N J: Princeton University Press, 1988.
3MauriceMandelbaum, The Anatomy of Historical Knowledge, Johns Hopkins, (1977).
4L. Wittgenstein, The Blue and Brown Books (New York: Harper, 1958), p. z4.
5Susanne K. Langer, "A Note on the Film," Feeling and Form: A Theory of Art Developed from Philosophy in a New Key (New York: Charles Scribner' s Sons, 1953), pp.411-415.
6Arthur C. Danto, "Moving Pictures," Quarterly Review of Film Studies 4(1), Winter(1979), pp. 1-21.
7理查德·沃尔海姆.艺术及其对象.刘悦笛译.北京:北京大学出版社,2011.
8Nicholas Wolterstorff, "Towards an Ontology of Art Works," in J. W. Bender and H. G. Blocker(eds.) Contemporary Philosophy of Art, Englewood Cliffs, N J: Prentice Hall, (1993 [1975]).
9Kendall Walton, "Transparent Pictures: On the Nature of Photographic Realism" , Critical lnquiry,Vol. 11 (1984). pp. 246-77.
10黎萌.透过影像看——关于摄影影像写实性的“透明说”及其争论[J].文艺研究,2013(3):5-15. 被引量：5

1[5,6,7]巴赞《电影是什么?》中国电影出版社1987年版第6页,第12页,第16页,第21页.
2Cf. Berys Gaut, "Film", in Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics, Oxford: Oxford University Press, 2003, pp. 627-643.
3黎萌.《分析传统下的电影理论》,中国传媒大学出版社2010年版.
4Kendall Walton, "Transparent Pictures: On the Nature of Photographic Realism", Critical Inquiry, Vol. 11 (1984): 251,262-263, 271,270, 270, 273, 264.
5Berys Gaut, "Film", in The Oxford Handbook of Aesthetics.
6Roger Scruton, "Photograph and Representation", in Peter Lamarque & Stein Haugom Olsert (eds.), Aestheticsand the Philosophy of Art: The Analytic Tradition, Oxford: Wiley-BlackweU, pp. 359-375, p. 367.
7William L. King, "Scruton and tLeasom for Looking at Photographs", British Journal of Aesthetics, Vol. 32 (1992): 258-265.
8Richard Allen, "Looking at Motion Pictures", in Richard Allen & Murray Smith (eds.), Film Theory and Philosophy, Oxford: Clarendon Press, 1997, pp. 76-94.
9Vsevolod Pudovkin, Film Technique and Film Acting, trans. & ed. Ivor Montague, New York: Grove Press, 1978, p. 168.
10Cf. Gregory Currie, "Photography, Painting and Perception", The Journal of Aesthetics and Art Criticism, Vol. 49. No. 1 (1991): 23-29.

电影艺术

2016年第3期

内容加载中请稍等...