试论闽南“拍胸舞”生活形态与剧场形态的共时性存在

Synchronic Existence of Living and Theatrical Forms of Clap Breast Dance in Southern Fujian

本文将从闽南"拍胸舞"的溯源及其生活形态和剧场形态两种形态切入,分析研究对象的研究空间的拓展、能指与所指的表达方式等方面,并将"拍胸舞"的形态、形态释义进行了阐释,从而对舞蹈作品需要重回田野的创作理念引发些许思考。

This paper analyzes the forms and forms explanations of Clap Breast Dance in southern Fujian in the perspectives of the origins,the living and theatrical forms of the dance. It attempts to promote the ideas that the dance creation should be based more on the fieldwork and research.