《孤独者》新论——中西文化之“个”的艺术熔铸

New Discussion on The Misanthrope——The Artistic Integration of 'Individual' in Chinese and Western Culture

魏连殳和"我"都有欧洲近代个人主义的痕迹,也有中国传统文化中"个"(叛逆者)的因素。但已有的研究大都分别从中西或古今这两个维度进行,缺少把中西文化之"个"并置的视野,这肢解了作为艺术有机体的《孤独者》。20世纪20年代中期的社会现实因素促使鲁迅在精神深处与他所认可的中西文化之"个"发生深度关联。在此基础上,鲁迅通过现实和历史细节的植入,把中西文化之"个"并置在《孤独者》中,并实现了中西文化之"个"的交汇和相互改编,最终以一个有机的艺术体表征了他真诚的生命律动和复杂的精神世界。

Both Wei Lian-shu and the title ＇I＇ leave some traces of western modern individualism,which also contain the factor of ＇individual＇（rebel）in Chinese culture.While previous studies on The Misanthrope were mainly conducted from the dimensions of Western to Chinese and from pre-history to the present day,few of them focused on the term ‘individual＇from the angle of the combination of Chinese and Western cultures,which damaged the artistic integrated article into pieces.In the mid-1920s,social reality in China urged Lu Xun to closely link the term ＇individual＇ in both Chinese and western culture.On this basis,by implanting historical and realistic details,Lu Xun placed the‘individual＇of both Chinese and western culture together into The Lonely and made them integrated and adapted with each other.Finally,an organic artistic unity came into being,which showed his sincere life rhyme and complicated spiritual world.