摘要
从处女作《制服》到《白日焰火》,刁亦男导演的作品不仅表现了一个电影人对电影和自我的坚守,也彰显出不同时期中国电影人和电影市场的创作和发展历程。无论是人物设置、故事类型,还是影像风格和主题探寻,刁亦男在复杂的人性书写道路上探求着自我独特的电影创作风格。
From his debut film Uniform to Black Coal, DIAO Yi- nan's works not only reveal a filmmaker's commitment to hiscareer, but alsomanifest thedevelopment of Chinesefilmmakersand filmmarket in different periods.On theway of describing and showing humanity, DIAO Yi- nan is shaping and forming his own artistic style via figure setting, story type, image style and movietheme.
出处
《湖南大众传媒职业技术学院学报》
2016年第2期20-22,共3页
Journal of Hunan Mass Media Vocational and Technical College
关键词
刁亦男
电影创作
风格
DIAOYi-nan
filmcreation
style