董其昌与晚明清初山水画之“预成图式”

Dong Qichang and “Preformed Paintings”of Landscape Paintings in the Late Ming and Early Qing Dynasty

藉由董其昌的创作粉本《集古树石图》等作品入手,通过深入观察这些作品的图式特征与主要功能,将之与广阔的明清山水画生态相勾连,进而置于整体的山水画史背景中作宏观的历史观照,指出"预成图式"作为一种创作规律在中国绘画史中的生成景观及特殊意义。

Started from Dong Qichang＇s Collected Ancient Trees and Rocks Pantings and other works,the features and main functions of these works can be understood through in-depth observation. Connected with the vast ecology of landscape paintings in the Ming and Qing dynasties,and from a macro-historical perspective of the comprehensive history of landscape paintings,＂preformed paintings＂are phenomena and have special significance as a creation rule in the history of landscape paintings in China.