谈理查·施特劳斯《最后四首歌》的钢琴伴奏艺术

On Piano Accompaniment Art of Richard Strauss'Four Last Songs

施特劳斯对歌曲进行了大胆的创新,无论是歌词的选取还是音乐伴奏的创作,都充满着新颖的艺术咏叹张力,让德国艺术歌曲的创新有了质的飞跃。认为《最后四首歌》是施特劳斯以理查·施特劳斯的最终作品,也是他的经典之作。《最后四首歌》的创作背景为视角,对其中的《春天》《九月》《入睡》《在晚霞中》的钢琴伴奏进行艺术分析。

The piano accompaniment of Spring,September,Sleep and In the Cloud of Richard Strauss's Four Last Songs is analyzed from the point of view of the creation.It considers that matter the selection of the lyrics,or the composition of music accompaniment,the new art chanting tension made the creation of German art music a qualitative leap.