苏北柳琴戏与淮海戏的传承

The Inheritence of Willow-Leaf Mandolin Opera and Huai Hai Opera

柳琴戏与淮海戏本为同一剧种拉魂腔,是苏北地区具有乡土气息、影响广泛的一种地方戏,最初它们的剧目、词体、曲调十分相似。新中国成立后,淮海戏以淮阴、海州方言为主,创造了男腔基本调[东方调],创用了[小丑调],发展创作了[紧拉慢唱]、[导板]等新的唱腔板式;在表演上,学习京剧的基本功训练方式,不断吸收京剧、锡剧、越剧、淮海琴书、徽剧、海州童子戏等姊妹艺术的营养。柳琴戏以徐州枣庄方言为主,强化了柳琴的主导地位,定腔定谱、创立新腔、改良乐器、丰富伴奏。

Willow-Leaf Mandolin Opera and Huai Hai Opera both belong to Si Zhou Opera, formerly called Appalling Ghost Opera, a popular local art form in North Jiangsu Area. Their topics, styles and tunes share a lot in common. After the founding of new China, Huai Hai Opera, which is based on the dialects of Hua Yin and Hai Zhou, invents new tunes, and absorbs the essence of other operas. While Willow-Leaf Mandolin Opera, which is based on the dialect of Zaozhuang, emphasizes the leading role of Willow-Leaf Mandolin and developes the tune, musical instruments and accompaniment.