真实与虚无的双重凝眸——电影《房间》的现实场域解构

The Dual Focuses on Reality and Nihility——The Real Scene Deconstruction of the Movie Room

2015年由爱尔兰籍导演兰纳德·阿伯拉罕森执导的《房间》,获第40届多伦多电影节人民选择奖,并荣膺第88届奥斯卡四项大奖提名,最终布丽·拉尔森成功摘得奥斯卡桂冠。然本论文通过电影《房间》中细腻克制的影像文化表达,找寻"房间"内外现实场域的真实与虚无。试图从空间视域的修葺、苦难主题的童话书写、谜题反转的文化颠覆三个角度,探寻影片对现实视域的影像化解构,以期为我国现实题材电影创作提供一定裨益。

The movie 'Room' directed by Irish Director Leonard Abrahamson in 2015,won People' s Choice Award of the 40 th Toronto Film Festival,and awarded four nominations of the 88 th session of Oscar.Finally,Brie Larson successfully became the winner.This paper tries to find the reality and nihility of the inner and outer scenes in the film through the study of fine and restrained image expression.It attempts to explore the film' s image deconstruction of real visual field from the three angles of restoration of space visual field,the fairy tale writing of suffering theme and the cultural subversion of puzzle reversal,with the hope of providing some benefit for Chinese movie with reality theme.