摘要
于赓虞研究可分为两个阶段:1923—1949年的研究多为其好友所作,在诗歌内容、艺术形式、中外影响等方面为于赓虞研究打开了通道,其中,诗歌的情感内容与艺术形式时人毁誉不一,牵涉到复杂的人事因素;1980年后的研究为全面深化期,诗歌方面在延续前一阶段研究的基础上逐渐深化,影响源由雪莱扩展至波德莱尔、《鲁拜集》、厨川白村和华兹华斯等,诗歌分期多样化,生平经历和诗论获得关注,意味着开辟了新的研究领域,研究观念和研究方法也得以更新。
YU Geng-yu' s research can be divided into two stages: the research from 1923 to 1949 was often done by his friends, who opened the channel of YU Geng-yu' s research in the poetic content, artistic form and influence at home and abroad. People of that time passed different judgments on the content and form of his poetry both positively and negatively. Some review involved complex human factors. The study after 1980 was the period of comprehensive deepening. Research on Poetry was gradually deepened based on the previous stage. Extraterritorial impact source extended from Shelley to Baudelaire, "rubayat", Kuriyagawa, Wordsworth and so on. Diversity of poetry stage, life experience of poets and poetic theory received more attention, which means that a new field of research was opened and research ideas and research method are also updated.
出处
《重庆理工大学学报(社会科学)》
CAS
2016年第5期90-98,共9页
Journal of Chongqing University of Technology(Social Science)
基金
河南省教育厅人文社会科学研究青年项目"李白凤
于赓虞作品整理与研究"(2016-qn-082)
关键词
于赓虞
恶魔诗人
研究述评
YU Geng-yu
satanical poet
research comment