榆木山岩画与祁连山游牧民族艺术精神

Elm Rock Paintings and the Art Spirit of Nomadic Tribe in Qilian Mountains

榆木山岩画是古代祁连山游牧民族长期生产、生活中的产物,它在游牧民族的精神世界占有重要的地位,也是先民与神灵和自然精神交流的桥梁。作为北方岩画重要的组成部分,分析榆木山岩画的起源,梳理蕴藏其中的艺术精神特征,对理解和认识祁连山游牧民族艺术精神的特质与表现,无疑是一个很好的切入点和必要的途径方法。本文就榆木山岩画中所内含的艺术特征和精神内涵作简要的分析,以期整理和挖掘祁连山游牧民族艺术的精神根源。

Elm rock painting results from the long-term producing and living of the ancient nomadic tribe in Qilian Mountains,which plays an very important role in the spiritual world of the nomads,and also functions as a spiritual communication bridge between the elder generation and gods and nature.As an important part of Northern Rock,analyzing the origin of elm rock paintings and combing the hidden artistic spirit are definitely a very good starting point and necessary way of understanding the artistic spiritual features and performance of nomadic tribe in Qilian Mountains.This paper makes a brief analysis of the artistic features and spiritual connotation of the elm rock painting,hoping to arrange and excavate the spiritual source of the nomadic tribe in Qilian Mountains.