摘要
《圆屋》为路易丝·厄德里克2012年美国国家图书奖的获奖小说。作品讲述一名北达科他州奥吉布瓦部族注册师遭遇白人男子性侵的故事,引发关于印第安保留地的法律和正义等一系列问题的思考。本文关注作品中颠覆性的父亲形象塑造,从在场的父亲、雌雄同体的父亲以及爱家的父亲三个方面探讨作者如何颠覆美国主流文学作品中常见的父亲形象,彰显印第安文化和文学特色。
The Round House by Louise Erdrich won the National Book Award in 2012. The story centers around the attack of an Ojibwe tribal specialist by a white man and the consequent complications about the unjust law on the Indian reservations. Erdirch also depicts an ideal father to disrupt the widely accepted father image in mainstream American literature. This paper shows how such a disruptive father image is created in three aspects—the present father, the androgynous father and the family-loving father—and how such disruptions distinguish Native American culture and literature from the mainstream.
出处
《当代外国文学》
CSSCI
北大核心
2016年第2期75-82,共8页
Contemporary Foreign Literature