摘要
在各种类型的文学作品中,与音乐关系最紧密的是诗歌。文学革命倡白话、废文言,极力要使诗歌挣脱格律的束缚,但还是没有使其彻底摆脱音乐性。因为音乐的质素并不仅限于格律、押韵等外在形式的追求,还包括由作品的内容生成的节奏、情调和氛围。这就为小说的音乐性研究提供了可能。中国现当代小说家中有不少人明确声称自己的创作与音乐的关系。需要注意的是,音乐进入作家的创作,并不仅仅是作为一种技巧被使用,更多的是一种交融与化合。节奏、结构和背景是这种化合的主要方面。
Among various types of works,poetry has the closest relation with music.In order to make poetry break loose from rules and forms,the literature revolution advocated vernacular and abolished classical Chinese,but the musicality hadn't been gotten rid of completely.Because the quality of music is not limited to these external forms such as rules and forms,rhyme etc.,but also includes rhythm,emotional appeal and atmosphere which are generated by the works content. Therefore we can research the musicality of novels. Many Chinese contemporary novelists asserted that their creation had some connection with music. But we should pay attention to that,music is used into writers' works,not just as a skill,but a kind of mingle.This article will discuss the mingle based on rhythm,structure and background three aspects.
出处
《哈尔滨工业大学学报(社会科学版)》
2016年第3期81-86,2,共6页
Journal of Harbin Institute of Technology(Social Sciences Edition)
关键词
中国现当代小说
音乐
诗歌
Chinese contemporary novels
music
poetry