摘要
信息时代的到来,使全球的文化艺术交流不再受到地域的影响,出现了资源共享的局面。在互联网的影响下,传统绘画的传播方式也摆脱了线性发展的方式,呈现出放射性的格局。读图时代的到来,让大众陶醉于简单、鲜明的快餐文化中,而不太乐于接受深刻、繁复的传统绘画。审美方式的转变使人们对传统绘画的认知也越来越消极,甚至出现了传统绘画死亡的说法。在这样的语境中,探讨传统绘画的何去何从变得尤为重要。
The advent of the information era rids the global cultural and art communication of geographical limit and facilitate sthe sharing of resources. Under the impact of the Internet, the traditional way of painting dissemination has also got rid of the mode of linear development, showing a pattern of radiative spreading. With the advent of the picture-reading era, the public tends to indulge in simple and distinctive fast food culture, and is reluctant to accept profound and complicated traditional paintings. Also, the change of aesthetic approach leads to the increasingly negative perceptions to the traditional paintings, even to the opinion of the extinction of traditional paintings. In this context, it is imperative to discuss the future of traditional paintings.
出处
《天津美术学院学报》
2015年第12期105-106,共2页
Northern Art:Journal of Tianjin Academy of Fine Arts
关键词
信息化
传统绘画
摄影
传播
informationization
traditional paintings
photography
dissemination