摘要
"意象性"思维环境下建筑作品创作的相关问题,一直以来都存在,在东方文化圈特别是当今中国尤为突出。比照既往学者关于"意象"设计的观点,并对基于该思维方式的建筑设计现实进行分析,结合中外著名建筑设计案例,试图理清建筑意象之由来,分辨其与建筑象征、建筑仿生、建筑意境之间的区别。同时借用语言翻译理论中的"信"、"达"、"雅"三层次说法,探讨了建筑意象设计中的层次问题。
There has been some spirit named “idea-image”, imagery design, which influences the process of architectural design, especialy in eastern culture context, particularly in China. Based on the analysis and case studies of some famous architecture projects, both indigenous and international, this paper aims to summarize the origin of the “idea-image” design, to tel the true meaning of the method, and also to distinguish its definition among bionic architecture, symbolic architecture, and artistic conception of architecture. The findings of the study are proposed to provide examples for the future practice of the idea-image design of architecture.
出处
《南方建筑》
2016年第3期117-121,共5页
South Architecture
关键词
建筑意象
意象表达
层次
辨析
imagery
expression
multi-layers expression
analysis
