摘要
远离尘嚣,美秀美术馆在绿油油的信乐山岳中若隐若现。通过跨越两个山脊的隧道及吊桥,便会看到美术馆的入口。当走近的时候,便会在长满松树的山坡中瞥见玻璃的屋顶,恰似中国古代的传说、地上的天堂——"桃花源"。美术馆的建筑大部分均埋藏于地下。
Far from crowded cities, the Miho Museunl is nestled among the verdant Shigaraki Mountains. The path to the museum angles toward its entrance through a tunnel and over a bridge that spans two mountain ridges. When approaching, you can see tantalizing glimpses of the glass roofs above the pine-tilled mountain slope. As with the earthly paradise in the classical Chinese poem, "Peach Blossom Valley", most of the museum building is under the ground.
出处
《当代美术家》
2016年第3期92-93,共2页
Contemporary Artists
关键词
美秀美术馆
贝聿铭
地下建筑
Miho Museum, I. M. Pei, Underground Building