感知、空间与都市性:电影中的电梯影像

1854年以来，电梯逐渐发展为重要的都市交通工具与空间形式，并以其技术上的革新而得到广泛的应用和普及。电梯的物质性关联着围绕电梯功能而展开的科技进步、感知方式以及文化想象。与此同时，电梯还成为电影等现代艺术形式中具有叙事潜能的影像形式，关联着文本中的动作性、身份认同和叙事方式等。物质性和叙事性是有关电梯的空间诗学的两个侧面，也是审视其与都市景观、幻觉和话语之间关联性的切入点。

Since 1854, elevator has gradually become an important form of urban transport and space, and has been widely used and popularized because of its technological innovation. The material nature of the elevator as- sociates with technological progress, perception form and cultural imagination, which are based on elevator＇s function. Meanwhile, the elevator has also become a form of image in the film and other modern arts which has narrative potential, and related to the movement, identity and narrative form in texts. Material and narrative features are two aspects of the spacial poetics of the elevator, and also a penetration point to rethink the correlation between elevator and urban landscape, illusion, and discourse.