中国独立音乐中的真实性与西北想象

中国独立音乐的迅速发展，成为近些年来独特的文化现象。独立音乐强调作品的原汁原味、真情实感，建构出一套关于真实性的话语，但这种真实性充满矛盾。通过强调反商业而重艺术的态度，独立音乐维持着与流行音乐的区隔，但这种区隔最终成为独立音乐的一大卖点。特别是西北独立音乐通过强调地方色彩而把西北塑造为精神的“原乡”，在一番怀旧之中标示西北与东部、往昔与现代之间，存在着资本和文化的对立。在这种对立之中，西北独立音乐既满足着东部对西北的想象，又在一定程度上反抗着东部的文化霸权，并积极影响着东部文化。

The rapid development of independent music in China has become a unique cultural phenomenon. Independent music, with its authentic flavor and emotional spontaneity, constructs a discourse of authenticity, which is not without paradoxes in itself. By taking an anti-commercial stance and persisting in its belief in true art, independent music maintains its distinction from popular music, while such distinction actually serves to cornmercialize independent music itself. Especially, the northwest independent music highlights its local color and constructs the northwest as our ＂spiritual hometown＂ with a strong sense of nostalgia, denoting an antagonism between the northwest and the east （of China in relation to the dynamic between cap , ital between the past and the modern, and culture. From such antagonism, we see that the northwest independent music does not only satisfy the east＇s imagination of the northwest, but also, to a certain degree, resists the cultural hegemony of the east and even exerts its influence on the culture of the East.