摘要
在以张大哥和老李结构成一个参照系之后 ,《离婚》引申出了一种二元观念 ,一系列的二元关系由此生发开来 :常识与诗意、群体与个体、秩序与混乱、现实自我与理想人格、得救与陷入等 ,在联系与对立中表现了人生无可奈何的矛盾与纠结。离 ,是分离 ,是背离 ,是距离。老舍在对离的辩证理解中从一种深度上表达了个体与群体、个体与现存秩序欲离而未离的粘滞状态 ;现实自我向着理想自我靠拢却最终越来越远的相互背离 ;以及在生命琐碎的快乐与痛苦中耗干了自己的人们 ,渴望得救的隐秘愿望与横亘在面前的现实之间的距离。偏偏离不掉和恰恰离去了的人生事实又构成了一种潜在的二元。
After constructing a frame of reference by Brother Zhang and Conrade Li, the work of Divorce derives a mode of duality. In such a mode, a series of duality come to show themselves, such as common sense and poetry, colony and individual, order and chaos, realistic ego and idealistic personality, extrication and immersion. Through such a mode of duality, this novel exhibits lots of inevitable contradiction in life. In a dialectic comprehension of separation, the author expresses profoundly the separation between colony and individual, the deviation between realistic ego and idealistic personality, and the gap between the secret desire to be relieved and the reality in which they have no alternative. To the folk, who consume up themselves in the trifling joyance and agony, the fact that life is full of inevitable and accidental contradictions forms another potential duality.
