“现代”之后:郑敏后期诗歌的“古典”及意义

The Classical Elements in Zheng Min's Later Poetry and Its Meaning

进入上世纪90年代,郑敏着重思考古典诗歌传统之于当代诗歌的价值,认为古典诗艺有许多地方均值得当代诗歌学习和借鉴,如节奏感、结构、语言以及境界等。1980年代后郑敏的诗歌写作就呈现出了古典诗艺的特质,这不仅表现在她对节奏感和古典意象的强调和使用,还在于她对精神境界的追求。无论是在诗歌理论上对传统诗艺的重视,还是在写作上对传统诗艺的传承,都是郑敏面对当代诗歌危机而作出的一种自救,也是其重建诗歌精神的一项措施。从诗歌的发展现状来看,这种自救和措施超越了个体写作范围,因而具有重要的意义。

In 1990 s,Zheng Min thought that,compared with contemporary poetry,the classical poetry was more valuable in rhythm,structure,language,realm,and so on,so it is worth learning from the classical poetry to develop the contemporary poetry. After 1980 s,Zheng Min’s poems embodied the characteristics of the classical poetry,and it was shown not only from the usage of rhythm and classical imagines,but also the pursuit of spiritual realm. With the crisis of the contemporary poetry’s extinction,Zheng Min intended to rebuild the poetry spirit by attaching importance to the characteristics of the classical poetry and inheriting the writing styles of the classical poetry. All she did was of great significance to the development of the poetry.