浅论内蒙古工笔重彩人物画发展与技法表现

The Development and Technique of Inner Mongolia's Meticulous Figure Painting

内蒙古工笔重彩人物画发展从上世纪60年代开始至今经历了三个阶段,技法表现上亦是随时代的变化发展而发展变化。当代本土画家的技法表现都极力追寻地域和民族文化中潜在内涵与人性本真。

Abstract： It has been experienced three stages with the development of techniques and the development of change since the beginning of the sixty＇s of last century, The techniques of contemporary Chinese artists are trying to trace the potential connotation and the essence of human nature in the region and national culture.