论小说的后现代叙事——以长篇小说《铜钵盂》为例

The Narrative of Post-Modern Novels:A case of Tong Bo Yu

长篇小说《铜钵盂》的创作,作为个性化的历史叙述,在文学的表述方式中具有独特的轨迹;小说的个人性书写,遵循一种新的小说理论,一种带有作家个人性创新,却又紧紧维系中国传统小说创作、新小说创作,寻找现代小说格局——在既传统又现代的形式冲突中,构建一种新的文本;它在小说的新理论领域中的全新尝试,动摇了我们对文本建设的一些陈旧观念,诸如写什么和怎样写,貌似相对却常常将之对立的误解,对故事的误读以及对故事讲述或呈现的误判。由《铜钵盂》的后现代叙事出发,展开文本的符号延异及意义群、叙事的互文性、碎片化结构等后现代创作理论的"铜钵盂"解构,破译《铜钵盂》的文学密码。在以往的长篇小说中,这种意义符号所承载的时间与历史,也许多多少少有所指涉,其渗入应为一种通例,区别在于,作家对之的自觉与努力的比重,直接牵涉到作品在这方面的成就。

The personalized historical narrative of Guo Xiaodong’s novel Tong Bo Yu has a unique expression track to looking for a new pattern of novel between the conflict of tradition and modern forms. The personalized writing followed a new personal innovation in novel theory, which combines Chinese traditional and modern novel writing styles, thus constructs a new text type. This unique attempt may shake some stereotyped views concerning text construction especially about what and how to write, misunderstanding relativity as contradiction, misreading the story, miscarriage of justice for text narration and presentation. The argument herein takes the post-modern narrative point of view to deconstruct post-modern writing theories such as symbol differences, meaning groups,narrative intertextuality and fragmentation structure, and to decipher codes in Tong Bo Yu.