铜仁成桂珍作品分析:《木樨香室诗集》

Introduction to Tongren Cheng Guizhen's works Named Poetry in Sweet Osmanthus Chamber

历来,人们对女性作品的研究与整理,大都集中于某一朝代或某一地域影响较大的女性作家,对地方文献里的有作品记载或者有诗集流传的女性,考察甚少,有所欠缺。而整理考究地方文献中的女性作品,对于窥探作者当时的社会概况、生产生活及那种环境下的女性心理,有很大帮助。文章拟对贵州铜仁提督罗雨春之妻成桂珍的身世做了基本的考究,并对其所留作品《木樨香室诗集》从思想内容和艺术特色两方面做主要分析。

Throughout the history, the reorganization and research on women＇s works mainly focus on a certain dynasty or influential regional women writers, while the exploration on those women whose works are recorded in local documents or whose poetry is handed down is very limited. However, reorganizing and exploring women＇s works from local documents are of great help to pry into authors＇ contemporary social situations, the productivity and living standards as well as their psychological status. This paper mainly has a study on Cheng Guizhen＇s life experiences, wife of Luo Yuchun who used to be commander-in-chief in Tongren, Guizhou Province and has an analysis on her works, Poetry in Sweet Osmanthus Chamber, from the perspective of the ideological contents and artistic characteristics.