论无产阶级文学观对蒋光慈的塑造——以三部小说为例

On the Shaping of the View on Proletarian Literature for Jiang Guangci:With Three Novels as an Example

蒋光慈的小说创作既体现了中国无产阶级文学的规范,也受到这一规范的不断塑造。他的《少年漂泊者》同时兼具无产阶级文学观念和创造社的自叙传文体色彩,是新的文学观念与其习性的自觉结合。1929年创作的《丽莎的哀怨》是蒋光慈力图将自己的习性外化与文学宣传功能结合的尝试,但这一尝试受到来自当时无产阶级文学场域的粗暴批评。蒋光慈一方面维护《丽莎的哀怨》的价值,一方面也积极回应无产阶级文学观的塑造,这一努力体现在1930年创作的《咆哮了的土地》中,使这部作品成为其创作的成熟之作。

Jiang Guangci＇s novel creation displays the norm of proletarian literature in China and is constantly shaped by it. His The Young Bohemian,with the view on proletarian literature as well as the stylistic feature of autobiography in the Creation Society,is a conscious combination of the new literary view and its nature. Lisa＇s Lament created in 1929 is an attempt that Jiang Guangci tries to combine his own externalized nature with the function of cultural publicity,which has always been criticized rudely by the field of proletarian literature at that time. While safeguarding the value of Lisa＇s Lament,Jiang Guangci actively responds to the shaping of the view on proletarian literature,which is displayed in The Roaring Land created in 1930 and makes this works his mature one among all his creations.