摘要
梁枋彩画是明清苑囿建筑彩画内容最为丰富和集中的地方,根据等级、图案内容及其象征意义,由高到低依次可分为和玺彩画、旋子彩画、苏式彩画,其中苏氏彩画又因独具江南园林的文人格调而区别于明清其他官式建筑彩画,更直接地彰显了皇家苑囿建筑威严之外的闲适意味。
Beam and square- column colored painting is the richest and the most concentrated part of the building painting in the royal gardens of Ming and Qing Dynasty. From high to low,the painting is classified to dragons' pattern,tangent circle pattern,and Suzhou style pattern according to the painting level,painting content and painting symbolism. Suzhou style pattern,which is full of literati style of South China,makes itself different with the painting patterns on the other official buildings of Ming and Qing Dynasties.And they also more directly reveal some leisurely and comfortable element in the royal garden,besides the building majesty.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2016年第6期146-147,共2页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
2015年山东省社科项目:中国传统造物中"道器"关系的解读方式研究(15CWYJ13)
关键词
皇家苑囿
梁枋
苏氏彩画
royal garden
beam and square-column
Suzhou style pattern