摘要
唐花瓷釉饰中的彩斑与底釉恣意交融,产生出"自然天成"的意趣和痛快淋漓的美感,这种或朦胧或消散的自然之美,平添一种天然的意蕴,与唐人追求浪漫雄浑的审美趣味正相契合;唐花瓷中,无论乐器花鼓抑或实用器罐、壶等器物,无不体现着雍容华贵、浪漫雄浑的唐代生活美学意象。唐花瓷器物中蕴含的这种浪漫雄浑的生活美学意象。
With color specks and ground coat of glaze decoration on Tang Flower Wares blending wildly and perfectly,they have a natural charm and beauty with great eloquence. With the vigorous pursuit of romance in Tang Dynasty aesthetic consensus,this kind of hazy beauty with natural meaning added a kind of natural implication.Tang Flower Wares embodied the romantic and aesthetic imagery of the Tang Dynasty,no matter the drum or practical utensils such as pots. The romantic and powerful images of life aesthetics in Tang Flower Wares have typical iconography significance.
出处
《许昌学院学报》
CAS
2016年第3期33-36,共4页
Journal of Xuchang University
基金
2012年河南省教育厅人文社科重点项目:"华夏文明‘连续性’生成的逻辑机制:基于中原传统名窑演变的历史社会学研究"(2012-ZD-020)
2014年度河南省哲学社会科学规划项目:"历史与前景:建设中原陶瓷文明传承创新区的艺术地理学研究"(2014BYS023)
关键词
唐花瓷
浪漫雄浑
图像学
生活美学
Flower wares in the Tang dynasty
Romantic and Powerful
Iconology
Life Aesthetics
