摘要
中国传统文化精神的底蕴隐伏着一种以儒家为内核的浓得抹不开的古典主义审美理想,这俨然也是"古典主义"这股文艺思潮得以在20世纪植入中国的土壤与契机。从某种意义上说,"古典主义"对中国现当代文艺建构产生了清澈澄明的深刻性影响及隐秘性规范。然而"古典主义"在中国的传播却遭受了前所未有的最初冷遇,这是不可思议而又极为耐人寻味的文艺思潮现象。这种极点的冷遇背后诚然有着更为深层的文学精神的渊源、审美期待的嬗变、历史演进生成、时代社会变局等复杂成因。这一深切关联的内因亟待当下学界给予更多的关注,并做出别样思路的有效性史实整合及实际意义上的合理性理论辨析。
Chinese traditional culture and spiritual heritage concealed a kind of Confucianism as the core classical aesthetic ideal . It seems that "classicism" shares the literary thought to be implanted with an opportunity to Chinese soil in the 20th century. In a sense, "classical" modern and contempo-rary Chinese literature construction had a profound influence limpid clarity and privacy norms. How-ever, the " classicism" in China has suffered an unprecedented cold initially, which is weird but extremely interesting literary trend phenomenon. Behind this ,cold pole admittedly has a more profoundliterary spirit of origin, the aesthetic look of evolution, the history of the evolution of generation, complex genesis era of social change in the situation and so on. Analysis of the internal factors was as-sociated with deep academic urgent moment to give more attention and make a different kind of idea ofthe validity and reasonableness of the facts to integrate theory practical sense.
出处
《河北科技大学学报(社会科学版)》
2016年第2期70-78,共9页
Journal of Hebei University of Science and Technology:Social Sciences
关键词
古典主义
20世纪学术思潮
审美理想
古典与先锋
传统与现代
classicism
academic thoughts in the 20th century
aesthetic ideal
classic with vanguard
traditional and modern