摘要
雕刻的表现离不开对"形"的处理,停留于照搬客观表象或习以为常的东西,不能让人感动,同样面对国内外丰厚的传统艺术精华,简单的模仿也难以体现时代的需要。可以说创作的过程,也是一种形式的思维,构成了新的表现意味。雕刻是立体造型,"形"的呈现方式决定了作品的视觉效果。造型中的"形"是指形体,关乎设计理念,形象刻画,技术水平和材料运用,由此构成了完整的形式表达。
Carving expression is inseparable from the processing of 'appearance'.Copying objective representation or commonly-seen thing is unable to move people.In face of enormous traditional art essences at home and abroad,simple imitation is difficult to reflect the needs of the times.It can be said that the creation process is not only actually a process of formalization for 'appearance',but also a form of thinking,which implies new expression connotation.
出处
《上海工艺美术》
2016年第2期60-61,共2页
Shanghai Arts & Crafts