纪录式动画的理论架构——解构、重组与图形叙述

The theoretical construction of Animated Documentary: Deconstruction, Reorganization and Graphic Narration

近年来,以获得奥斯卡最佳动画短片奖的《瑞恩》、最佳外语片提名奖的《与巴什尔跳华尔兹》等影片为代表,其真实纪录的内容以动画形式呈现,虚拟图形被赋予客观的纪实性特征,引发了人们对"纪录式动画"的广泛关注,学术界也展开了关于"纪录式动画"真实性的激烈争辩。在媒介不断融合的当下,本文汲取视听语言的丰富内涵,从对"纪录式动画"的概念界定及发展脉络入手,分析视觉隐喻与现实元素的理论架构途径,结合剖析图形叙述方式,对纪录式动画的哲理内涵、创作手法、镜头语言等方面内容作针对性的探讨与阐释。

In recent years, films like ‘Ryan' and ‘Waltz with Bashir', in which the content of documentary is displayed in the form of animation and virtual graphics is endowed with objectivity, has aroused the attention of the public, bringing up a drastic dispute overthe authenticity of ‘Animated Documentary' among scholars. This paperabsorbs rich connotations of audiovisual language and analyzes the definition and development of ‘Animated Documentary', in which philosophical connotations, creative practices and lens language of animated documentary are thoroughly explored in the perspective of theoretical frameworks, approaches of visual metaphorand actual elements.