流行音乐在哈尔滨的发轫

The Development of Pop Music in Harbin

从黎锦晖的《毛毛雨》(1927)开始,中国流行音乐迅速萌起。普遍认为,20世纪20年代末30年代初,上海和广州是中国流行音乐初期发展的中心。本文作者通过细致的考证,对同时期哈尔滨城市中的通俗歌曲、滑稽舞蹈、交谊舞、广东音乐、轻音乐等艺术体裁的表现特点进行梳理与辨析,兼及介绍李香兰、翟蕊蕊、潘文娟等娱乐明星的商业演出情况和"哈响喜歌剧团""自娱雅乐社""跳舞传习所"等音乐社团的创建与演出活动及其影响。以详实的史料,还原了流行音乐在北方中心城市的发展样貌,重建了当时哈尔滨的流行音乐生态,进而得出结论:哈尔滨不但是中国早期西洋音乐和传统音乐文化的交流中心,也是流行音乐发展的北方重镇,因而在中国流行音乐发展史上据有值得重视的历史地位。

Chinese popular music had a quick take off after the debut of Li Jinghui's 'Mao Mao Yu'.It is widely acknowledged that Shanghai and Guangzhou were the centers for the early development of pop music in China the late 1920's.With painstaking research this author attempts to comb through the pop songs,clown dance,ballroom dance,Cantonese music,and pop music performed in the city of Harbin during the same period,with an introduction to the activities of popular stars such as Li Lanxiang,Zhai Ruirui,and Pan Wenjuan,in order to restore a picture of such cultural life in what was the center for northern China.