在有无之间体验舞蹈表演的创作魅力——以舞蹈《儿行千里》的人物形象塑造为例

To Experience the Charm of Dance between Existance and Nihility: Exemplified with Character Image Shaping in the Dance“ Faraway from Home”

舞蹈作品塑造人物形象的三个阶段,即"从无到有、从有到无、有无交融"。结合笔者排演的原创舞蹈《儿行千里》,论证了舞蹈表演的艺术哲思。"从无到有"阶段的主要任务是对动作语言进行提炼、加工和创造。通过分析人物肢体语言的构成因素来寻找舞蹈动作,以舞蹈"风格与律动"定位人物的肢体语言,对舞蹈属性影响下的肢体语言的特征进行阐述。"从有到无",即暂时忘记动作,将精力专注于角色状态中。从作品所表达的时间、地点、背景以及人物性格、人物内心世界等方面进行具体的揣摩和设计,通过解读人物背景、提炼人物性格、设计人物潜台词来完成对角色刻画中的情感跃升。"有无交融"是舞蹈表演的最高境界,在有、无中出入宛若其中。

There are three stages to shape chance characters： namely ＂from nihility to existence, from existence to nihility, integration between existence and nihility＂. The original dance ＂Faraway from Home ＂, in which the author has taken part as producer and performer, justifies the artistic philosophy of dance performance. The main task in the stage of ＂from nihility to existence＂ is to generalize, refine and create the movement language. Through the analysis of the construction elements of characters＇ body language, dance movements can be found. Through the ＂style and rhythm＂ of dance, characters＇ body language can be fixed to narrate the features of the body language under the influence of dance nature. ＂From existence to nihility＂ means to forget movements temporarily to focus on the character＇s real state. The time, location, background of the dance, as well as the character＇s personality, inner world are examined and designed, and the emotion is heightened by interpreting character＇s background, refining character＇s personality, and designing character＇s silent lines to depict the character. ＂Integration between existence and nihility＂ is the highest level of dance performance, which means existence and nihility are integrated and changing to the other all the time.