当代诗歌的日常化运动——从王小龙、韩东到骆一禾

The Everyday-Life Movement of Contemporary Poetry: From Wang Xiolong, Hang Dong to Luo Yihe

朦胧诗人的诗歌内含着一种中心意识,其表现的主题、题材往往都是重大的,风格也倾向于严肃庄重。这种中心意识既是朦胧诗人赋予自身的,也是一代人、全社会乃至全民族的委托。而第三代诗人开始把目光从朦胧诗人笔下的纪念碑、长江、黄河、大雁塔这些凝聚着民族历史记忆的大题材收回,聚焦于日常生活,风格上也一变而为轻松俏皮、滑稽反讽。同时,诗人的地域分布也呈现从北京等中心城市向边缘省份扩散的趋势,这一事实也带动了诗歌的触角伸向普通人的日常生活。不同于大多数第三代诗人对日常经验的私人化、原子化处理,骆一禾在一种文明史视野的观照下,从心理、精神结构、历史处境等多个层次剖析了所谓的当代经验,揭示了表层经验下的历史和精神逻辑。

Misty poets＇ poems bear a sense of center. Their theme and subject matters are grand, and their styles also tend to be serious. This sense of center is acquired by both misty poets themselves, and by the whole generation, the whole society and even the whole nation. The third generation poets however, have begun to turn their focus from major subjects like monuments, the Yangtze river, the Yellow River, and the Wild Goose Pagoda which embodies the national historical memory, to daily life, resulting in playful and funny irony styles. At the same time, the regional distribution of the poets are changing from the central cities such as Beijing to the edge provinces, which led to the fact that poetry has poked into ordinary people＇s daily life. Different from the personal and atomization treatment of everyday experience by most of the third-generation poets, Luo Yihe, under a civilization view, analyzes the so-called contemporary experience from various layers of psychological, spiritual and historical backgrounds to reveal the historical and spiritual logics under the superficial experience.