摘要
杨健的展览为我们当下普遍的情绪开启了一种轻盈的想象。在名为“无穷的开始”的展览之中,艺术家为观众虚构了一位厌倦了职业生涯的建筑师,而“他”最新的作品即为我们在展览现场可随时踏入的迷宫。在这个不算复杂的迷宫空间之中,我们可以随时读取到建筑师在迷宫“墙壁”上留下的随笔或者说是思考札记。
Yang Jian＇s exhibition captures a universal mood and sets the imagination loose. In ＂The Beginning of Infinity,＂ he has fabricated an architect who wearies of working life, whose latest work is a labyrinth that can be entered at any time. While this labyrinth is not particularly complex, the architect has left on its walls his jottings and reading notes.
出处
《艺术界》
2016年第3期191-191,共1页
