摘要
姑且不论上世纪九十年代晚期查尔斯·萨奇所推崇的“新官能写实主义”是否言过其实，德克斯特·达尔伍德作为其中的代表艺术家，其本身的创作方法与风格异常鲜明、自成一派。他的画作往往都是空无一人的室内或室外景观，描绘的是社会历史中的重要时刻、真实事件或标志性场地。这些事件发生地、名人居所都带有相似的集体意识和社会创伤。
Though Dexter Dalwood was a repre- sentative ofChartes Saatchi＇s New Neurotic Realists at the end of the 1990s, his distinc- tive style places him in a category of his own. His paintings often depict completely empty interiors or landscapes,
出处
《艺术界》
2016年第3期199-199,共1页
