摘要
俄罗斯作曲家柴可夫斯基在1879-1887年间创作了四部管弦乐组曲。在作曲家眼中,"组曲"这一体裁形式能让"作者自由行事,不必去将就任何传统、程式化手法和既定规则"。其中《第四管弦乐组曲》(OP.61)作于1887年,根据莫扎特的四首作品改编而成。《第四管弦乐组曲》无论是在素材的选择,还是创作手法的追求上,都清晰地反映出欧洲古典传统的影响,以及作曲家自身所具有的探索精神。
The Russian composer Tchaikovsky composed Four Orchestral Suites from 1879 to 1887. As far as composers are concerned, the form of "suite" can enable them to "work freely without traditional, stylized approaches and established rules". The Fourth Orchestral Suite" (OP.61), composed in 1887, was adapted from Mozart's four works, which was the most notable feature of this piece. In combination with music history, music analysis theories and other approaches, based on the comparative analysis between all the movements in Tchaikovsky's Fourth Orchestral Suite and Mozart's original works,this article aims at exploring the connection between Tchaikovsky's style and Mozart's style and the influence of Western European classical traditions on Tchaikovsky's pieces.
出处
《艺术探索》
2016年第3期118-121,共4页
Arts Exploration