场域视角下少数民族音乐传承模式建构思考

Thinking of the Construction of Minority Music Mode from the Perspective of Field Theory

民族音乐有自己的场域,民族音乐的传承发展需要和场域变动保持一致,才能在场域中生存发展。随着民族社会发展,民族音乐的原生场域发生了极大的变化,因此民族音乐传承模式的构建也必须根据场域惯习转变,契合民族民众的审美需求,适应其审美观念转变,增加场域内经济资本。

Folk music has its own field,national music inheritance and development needs and field changes consistent to present domain in the survival and development. With the development of society and nation,ethnic music of the native field occurred great change,so the mode of inheritance of ethnic music construction must also according to the field habitus change,which corresponds to the Chinese people＇s aesthetic needs and adapt to the esthetic idea change,the increase in the field of economic capital.