摘要
曾经多次言称,威尔第歌剧《茶花女》是本人现场聆赏最多的经典之一。2016年开春以来,3月18日先听了张国勇指挥上海歌剧院＂邮轮＂版首演,4月23日又听了余隆指挥国家大剧院＂镜面＂版复排演出。重要的是,这两个＂茶花女＂之间正巧留出一段＂空白＂,因此两个版本似有＂无痕对接＂的意味。
Verdi's La Traviata is among the operatic repertoire that I've seen most frequently on stage.After the Shanghai Opera House 'cruise version' led by Zhang Guoyong on March 18,I was in the audience at the NCPA to watch the 'mirror version' led by Long Yu a month later.Considering these are two different takes on the opera,I just want to discuss what I like 'more' rather than 'most.'
出处
《歌剧》
2016年第6期20-23,共4页
Opera
