摘要
在鲁迅的创作中,精神向肉体的复仇书写大致可分为三种方式:一是精神向肉体的告别;二是精神用自己的高度亢奋来磨砺肉体,让肉体得不到它想要的休憩;三是故意拼命地做,从速消磨这肉体。在肉身疾病的肆虐中更加激起生命意志的张扬,显然与尼采精神相似;在从速消磨这一肉体的意念中积极而坚定地从事着艺术的创造与赏鉴,无疑受到叔本华的影响;而"精神之我"在弃绝肉体这一苦集之场之后的大欢喜,则是佛家死亡观的体现。
It is a unique dimension that spirit revenges against the body in Luxun’work, which appears as three ways.The first, spirit says goodbye to the body, which is similar to the spirit of Nietzsche. Second, spirit torments the body, which is affected by Scho-penhauer;Third, spirit quickly kills the body, which is the embodiment of life and death attitude of Buddhism.
出处
《南华大学学报(社会科学版)》
2016年第3期74-81,共8页
Journal of University of South China(Social Science Edition)
基金
国家社科基金重大项目"鲁迅与20世纪中国研究"资助(编号:11&ZD114)
关键词
鲁迅创作
精神
肉体
复仇叙事
Luxun’s work
spirit
body
revenge narrative