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《微暗的火》中的空间越界

The Space Transgression in Pale Fire
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摘要 空间是构建文学作品中场景的主要方式,越界行为是多维空间的边界区划和对空间的穿越。作为飞散作家,纳博科夫特殊的人生境遇导致他对空间越界思想有独树一帜的见解。纳博科夫的空间越界思想在其代表作《微暗的火》中有着显著的体现,主要体现在物理空间、空间化的时间、心理空间、艺术空间以及彼岸世界的越界等方面。通过对《微暗的火》中的空间越界现象的分析,不仅折射出纳博科夫哲学、文学、政治、美学的思想内涵,而且揭示出纳博科夫的小说创作以《微暗的火》为分水岭由时间向空间转向的趋势。 Space is the basic way of constructing literary scene, transgression is the action of crossing the boundaries of multidimensional space. As a diaspora writer,Nabokov's special life experiences let him embrace the distinguished view upon the transgression. His masterpiece Pale Fire highlights the multidimensional space phenomenon. Nabokov's thought of space in the pale fire,mainly reflected in multidimensional space,spatialized time,psychological space,art space and the other-worldness. The transgressions in Pale Fire'is reflected not only Nabokov's philosophy,literature,aesthetics outlook,and also they are also a watershed of Nabokov's Fictions from the perspective of time to space.
作者 尤丽娜
出处 《南昌航空大学学报(社会科学版)》 2016年第2期56-62,共7页 Journal of Nanchang Hangkong University(Social Sciences)
基金 2016年安徽省高校人文社科类研究重点项目"纳博科夫小说中的异质空间研究"(SK2016A0469)
关键词 《微暗的火》 纳博科夫 空间越界 空间化时间 彼岸世界 Pale Fire Nabokov space boundary spatialized time other-worldness
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参考文献21

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二级参考文献44

  • 1Vladimir Nabokov, Speak, Memory, New York: Pyramid Books, 1966, p. 203.
  • 2See Vladimir Nabokov, Ada or Ardor: A Family Chronicle, New York, Toronto: McGraw-Hill Book Company, 1969, pp. 536 - 537.
  • 3Vladimir Nabokov, Speak, Memory, p. 13.
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  • 5Vladimir Nabokov, Ada or Ador : A Family Chronicle, pp. 549 - 550.
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  • 7Vladimir Nabokov, Strong Opinions, New York, St. Louis, San Francisco, Toronto: McGraw-Hill Book Company, 1973, p. 142.
  • 8Vladimir Nabokov, Bend Sinister, London: Weidenfeld and Nicolson, 1960, p. 153.
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  • 10See Marina Grishakova, The Models of Space, Time and Vision in V. Nabokov's Fiction: Narrative Frames and Cultural Frames, p. 102.

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