《聊斋志异》中“妖女”形象的生态蕴含

The Ecological Implication of “The Enchantress” Images In Liaozhaizhiyi

从生态美学审视《聊斋志异》,则其中由动、植物或非生命体幻化成人形的"妖女"形象所具有的特征与蕴含可以从自然、社会、精神生态三个层次重新理解。在自然生态蕴含上,妖女将荒野作为"家园",在荒野中诗意栖居,与荒野圆融共舞,实现了人与自然的和谐相处;在社会生态蕴含上,妖女在与人相处时以诚相待,实现了人际关系的和谐健康;在精神生态蕴含上,妖女未经世俗纤染,具有率真、纯净、不羁、美善的高贵品质,实现了自我本性的返璞归真。《聊斋志异》中这些曼妙"妖女"形象的文化蕴含是丰富而又深刻的,生态美学只是提供了一个理解的角度。

Discussing Liaozhaizhiyi from the ecology aesthetics,the characteristic and implications of the enchantress images who change come from animals,plants or inanimate objects can be re-understood from three levels,including the natural ecology,the social ecology and the spiritual ecology. Firstly,on the natural ecological implication,the enchantresses regard the wilderness as ＂home＂,poetic dwelling in the wilderness and dancing with the wilderness,ultimately arrive harmony between the personand the nature.Secondly,on the social ecological implication,the enchantresses are sincere when getting along with people,they achieve a harmonious and healthy relationship. Lastly,on the spiritual ecological implication,the enchantresses are unaffected by secular,they have many noble qualities,including straightforwardness,purity,uninhibitedness and goodness,they achieve an original sim-plicity on self-nature.The cutural implications of these spectacular ＂enchantress images＂in Liaozhaizhiyi are not only rich but also profound,so the ecology aesthetics just provide a perspective to understand.