中国古代文人音乐的传播研究--北宋文人词调音乐的审美追求与传承

Study on the Dissemination of the Literati Music in Ancient China-The Aesthetic Thoughts and Inheritance of Literati Ci-diao Music of the

唐虞三代之始,人皆能因所感而歌唱,荆轲歌易水,离别唱阳关,上至君王,下到百姓,多知音好歌者。至商周时,民间音乐、宗教音乐、宫廷音乐和文人音乐逐渐剥离开来,文人音乐独立而成一派。宋代社会经济和文化发展过程中,尤其不能忽略了文人对于音乐的创作和参与,经文人之手的北宋词调音乐,是文人音乐之代表。"文"的品格、气质和素养是文人音乐区别于其他传统音乐的标志之一。唐诗是酒,宋词为茶,歌词、音乐和典故中记录着宋代文人独特的艺术审美与细腻情感,"词调音乐"更注重于"音"与"心"之间的对话,以含蓄之情、中和之意、音外之音来表现中国古代文人独有的艺术哲学。

Everybody, from kings to folk people, could sing from the beginning of the Tang-Yu Dynasties. By the Shang and Zhou Dynasties, folk music, religious music, court music gradually separated from literati music, which came into an independent school. 19 the social and economic development process of the Song Dynastles, literati＇s in-flue-nee -and- participation in-mus-icr creati nespe cialiycannot -be neglect e diao music of the Northern Song Dynasty is the representative of literati music. Its character, temperament, and quality are one of the symbols from other kinds of traditionalmusic. Lyrics, music and allusions have recorded literati＇ s unique artistic aesthetics and delicate feelings. Ci-diao music focuses on the dialogue between ＂tone＂ and ＂ heart＂ and represents the particular art philosophy of ancient Chinese literati.