摘要
文学作品中的疯子形象,是特定历史变革时期下特定的历史产物。其言谈举止虽然是病态的,但其心理却是社会现实的真实反映。病态与清醒,在文学作品中的疯子形象身上,达成了高度的统一。《狂人日记》和《私人生活》,正是借助狂人与倪拗拗扭曲病态的外在疯癫与独异庸众的内在清醒,通过描写其被动放逐与主动隔绝,达成了作品应有的反讽目的。
The madman images in literary works is a specific historical product of the specific historical period.His conversation manner although it is morbid,but a true reflection of the mentality is the social re-ality.Sick and sober reached a high degree of unity in the madman images of literary works.A Madman’s Diary and Private Life,which by means of madman and Ni Aoao’s twisted sick’s external madness and internal awake,through the description of the passive exile and active isolation,reached the purpose of iron-y.
出处
《长江大学学报(社会科学版)》
2016年第6期16-18,共3页
Journal of Yangtze University(Social Sciences Edition)
基金
甘肃省教育厅人文社会科学研究基金项目(2015sk504)