西方美学视域中审美经验的“形而上”研究

The“Metaphysical”Research under the Western Aesthetic Horizon of the Aesthetic Experience

审美经验是美学研究中的一个重要内容,在西方美学中,在不同的历史时期,审美经验承载着不同的文化意蕴和审美内涵。就审美经验的"形而上"研究发展流变而言,古希腊毕达哥拉斯学派将审美经验视为审美客体"形式"显现的"和谐",柏拉图将审美经验视为审美主体对"理式"世界的"迷狂"观照,而康德将审美经验视为主体审美判断的"非功利性"传达,黑格尔则将审美经验看作是理念世界的感性显现。通过对西方美学视域中审美经验的"形而上"研究的历程与流变进行评述,以期明晰西方审美经验研究的发展脉络,从而推进现代审美经验的研究。

Aesthetic experience is an important content in the study of aesthetics. In western aesthetics, aesthetic experience carriesdifferent cultural implication and aesthetic connotation in different historical periods. As far as the rheological of＂metaphysics＂researchdevelopment on aesthetic experience is concerned, the Greek Pythagoras view aesthetic experience as the aesthetic object of＂harmony＂revealed by＂form＂; Plato considers aesthetic experience as aesthetic subject to＂manage＂the＂fan＂picture of the world; and Kant’saesthetic experience regards aesthetic experience as the main body of aesthetic judgment＂utilitarianism＂and Hegel holds the concept ofaesthetic experience as the perceptual appearance of the world. This paper reviews the＂metaphysical＂research process and therheological under the western aesthetic horizon of aesthetic experience in order to clear the the development of western study of aestheticexperience, thus, to promote the study of modern aesthetic experience.