安德烈·纪德“道德三部曲”中的“自我与上帝”评析

“Ego and God”in the Moral Trilogy of André Gide

安德烈·纪德在早期创作中致力于探讨自我与上帝之间的关系以及由此产生的各种伦理问题,其中《非道德的人》《窄门》和《田园交响曲》三部作品集中体现了他对这一问题的关注。这三部作品通过阐释"非道德"主义肯定了主体自我意识的觉醒,由批判盲目追求道德纯洁性而否定了主体对宗教教义的盲从,进而揭示了主体因伦理诉求与道德规范冲突而导致的困境。这些问题反映了纪德对自我与上帝之间关系的重新定位,既是其个人价值观和道德观的重建过程,也是主体自我认同重新确立的途径。

André Gide began to probe in to the relationship of ego and God and other ethic problems in his early works, which was particularly shown in his work L＇immoraliste, La porte étroite and La symphonie pastorale. In these three works, Gide approved of self-consciousness awakening through his interpretation of＂immoralism＂,and showed his denial attitude to obeying blindly religious doctrine by criticizing the blind pursuit of moral purity. Which revealed the dilemma caused by the confliction of personal ethic appeal and social moral rule.All of them showed a relocation of Gide in the relationship of ego and God. It is not only a course of reconstructing personal values and morality but also a way to reestablish self-identification.