“斗”与“被斗”书写中的艺术得失——关于《暴风骤雨》中的斗争会场面描写

The Gain and Loss of Art in the Description of Criticizing and Denouncing and Being Criticized and denounced——On the Scene Description of Struggle Meeting in The Storm

《暴风骤雨》(第一部)中,三斗韩老六的场面描写在推动情节发展、结构文章中起着重要作用,周立波的艺术得失也在其中露出端倪。作者在前两次斗争会的场面描写中已经发现了生活中丰富复杂的宝藏,但还是自觉地用先验的政治框架束缚住了原本可以更加大气磅礴、针脚绵密的书写,造成三次斗争会场面描写在艺术水准上的差异,暴露出在艺术独创和政策图解间的"迷失"。

In Part One of The Storm,the description of three scenes for criticizing and denouncing Han Laoliu,where Zhou Libo＇s gain and loss of art is also revealed slightly,plays an important role in promoting the development of the plot and constructing the novel. The writer found the rich but complex treasure of life from the description of the two scenes. However,he consciously restricted what should be written in a grander and denser way with a political framework of that time,resulting in the discrepancy in art of the scene description of the three struggle meetings,revealing the writer＇s ＂being lost＂between the originality of art and the illustration of policy.