论汉魏琴论的形成及美学转型

The Formation of the Theory on Guqin Theory and Aesthetic Transformation in Han-Wei Dynasty

以汉魏琴论转向为研究对象,汉代琴论中对"琴德"的重视、汉代琴论对阴阳五行的推崇,推动了嵇康琴论"以和为美""声无哀乐"思想的形成,通过对以上的溯源分析,认为汉魏琴论不仅使古琴美学初具雏形,而且对后世琴论的走向起到了基本的塑形作用。汉魏时期,古琴备受世人重视,琴论亦成为文人阐发哲学思想、美学思想的重要媒介。

The turn of Guqin theory in the Han and Wei Period was investigated ,those questions were anl-ysised such as ＂Guqin music moral＂was highly concerned ,Yin-Yang Theory and the Five Elements were esteemed to promote Ji Kang′s ＂beauty for harmonious＂idea formation and Ji Kang ＂sound without dirge＂thought was traced to the source of it .It can be ascertained that Guqin theory in the Han-Wei Dy-nasty not only made a rudiment of Guqin aesthetics ,but also played a basic role in shaping on the later Guqin theory .In Han and Wei Dynasty ,Guqin music was not only respected ,Guqin theory also became an important medium of Scholar elucidating to philosophy and aesthetic theory .